Monday, December 31, 2007

Choosing The Film Schools That's Best For You

There are many people who dream of having a successful acting career. It's rewarding work, but it's also one of the most difficult parts of the film industry to get into.

If you're hoping to work in film or television, there are plenty of other areas to consider. For example, you might think about producing, directing or script writing. Choosing the right film school is one of the key decisions you'll make.

The first step in getting into the film industry is determining what type of career you're interested in. Just about any job in the film industry pays very well, so you should be ready for plenty of competition. You should also be aware that you'll need to start at the bottom, often as a production assistant (answering phones, getting coffee, etc) before any hopes of working in the field you were trained in.

You'll also have to think about relocating, since you'll need to move to where the work is. In the film business that may mean you'll be working on location for weeks or even months at a time.

How to Find The Film School That Meets Your Criteria

If your passion is continuity, don't go to one of the film schools that focuses on directing. While it is typically important to get a feel for all areas of film production, you'll want to spend the most time focusing on your own career goals.

Look for a school that will let you take specific classes towards your degree instead of giving you a preset course list.

With the way the film industry has been growing in recent years, you'll find film schools popping up all over the place. Make sure you do some thorough research before choosing one so you don't wind up paying a lot of money for a diploma that won't benefit you.

Make sure the school has been around for quite a while and check their credentials. Many major universities also offer top notch film degrees which are well regarded in the industry.

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Sunday, December 30, 2007

If You Have The Right Converter, Loading Dvd To Ipod Is Easy

You know that loading DVD to iPod is possible. Everyone is talking about it, and apparently everyone is doing it. Everyone but you, that is. You are still completely incapable of performing this simple task.

It's not because you don't want to. Truth be told, the thought of filling up your iPod with TV shows occurs to you several times a day. In fact, you think about it everyday as you sit in the break room at lunch, wishing you that you were watching an episode of one of your favorite shows that you missed last week because you had to work late every night.

You have spent hours trying to understand how the DVD to iPod converters work. But to no avail, the secret of loading DVD to iPod continues to elude you. You've considered asking one of the children in your neighborhood to explain the mysterious process to you, but the thought of having a twelve year-old kid smirk and condescend to you is just too humiliating. Defeated, you have resigned yourself to the fact that you will die without ever unlocking the secret of how to transfer DVD into iPod.

Did you ever stop to think that the reason you are having such a hard time with loading DVD to iPod has nothing to do with you? Well, chances are that the converter your using is the real problem, not you.

DVD to iPod converters are just like anything else: some are good, some are bad, and some are just plain awful. The trick is to find a good converter. And by "good" I mean "user friendly."

Loading DVD to iPod is actually a pretty simple, painless process once you have the right converter. All you have to do is follow a couple of easy steps and presto! You have videos loaded to your iPod! Seriously, it really is that easy.

These days, the only thing that that is difficult about loading DVD to iPod is tracking down a good converter. But once you have located one, your days of frustration trying to figure out how to transfer DVD into iPod are over and you can spend your time loading up your iPod with all of your favorite shows.

Don't spend another miserable day on the train. Go home and find a user friendly DVD to iPod converter and start filling up your iPod today!

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Tuesday, December 25, 2007

Movie Review - Sweeney Todd

Having never seen the stage version of Sweeney Todd: The Demon Barber of Fleet Street, I can't speak to the fidelity the film shares with the play. That said, let there be no doubt that Tim Burton has crafted a true piece of musical cinema from Stephen Sondheim's bloody masterpiece. To their discredit, early previews have hedged a bit regarding the singing in the film. In them we only see Johnny Depp canting some recitative as he prowls the streets of London. While this scene is certainly in the movie, it's barely representative of the actual film which contains at least a dozen fully-staged numbers and only intermittent dialogue.

As the former Benjamin Barker, Depp is magnificent as Todd. His voice may lack the thunder that would be expected on stage, but on the big screen it's more than suitable. Purists may find it a little ragged and flat at times--Michael Crawford needn't worry about Depp--but it's an ideal manifestation of the corrupting anger and rotting vengeance that fill Todd's soul. The same can be said for Helena Bonham Carter as the fiendish Mrs. Lovett. Sure she will occasionally descend into something approaching a hectoring screech, but consider for a moment that she's a baker who grinds people into meat and serves them up in piping hot pies!

Voices aside, both actors deliver rich, complex performances. The focus and intensity that Depp brings to his role is riveting. Within minutes of the film's opening there is no doubt that Depp will have his revenge and have it with gusto. Taking a step back from the film, realize that Todd is a thoroughly despicable character. He often kills indiscriminately, but Depp is so powerful as Todd that you eventually begin to relish his countless murders. Carter's Mrs. Lovett is, perhaps, even more of a psychopath. Slicing a throat is one thing. Butchering a man and then serving him up for dinner is quite another. Nevertheless, you delight in her, too.

As for the killings, Burton stages them in spectacularly gory fashion. The phrase 'geysers of blood' is often used casually when describing a violent film. In Sweeney Todd the phrase is explicitly correct. Depp is often obscured under the high-powered jets of plasma that repeatedly erupt from his customer's necks. Amazingly, these scenes aren't even the most disturbing. Once Todd finishes giving a 'shave', he dumps the corpse down a hole where it cracks loudly at the bottom as the skull splinters and the neck breaks cleanly. It's all completely over the top and, of course, wonderful, hilarious, inspired.

The same can be said for the film as a whole. In Sweeney Todd, Tim Burton has found material that meshes perfectly with his artistic sense. You could call it a horror film or a screwball comedy and you'd be right both times. The design is, as would be expected from a Burton picture, lavish and spectacular. The supporting cast, especially Alan Rickman and Timothy Spall, are superb. Only the love story between Johanna and Anthony falls a little flat. It's a minor quibble, though, in an otherwise outstanding film. Sweeney Todd joins Ed Wood and Edward Scissorhands as Burton's finest work. It may eventually even be considered his best.

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Thursday, December 13, 2007

Download Movies Legally, But Let the Buyers Beware

Because of the success of Apple's iTunes music store, companies are now focusing on the next great frontier in the world of digital media, which is the market for legal movie downloads. But companies entering that space are faced with a dilemma: In order to gain access to the most marketable content, they need to implement services that large movie owners will find acceptable. That typically means imposing severe restrictions on what consumers can do with the content after they download movies. The need to impose restrictions, however, conflicts directly with another critical requirement, which is to create something that paying consumers will want to use. Most of the time, the developers of movie download services have opted to create implementations that satisfy movie owners. Unfortunately, these implementations are best described as consumer-hostile. Not surprisingly, consumers have been slow to start using these restrictive movie download services, meaning movie owners get little return.

The ability to distribute large volumes of digital content on the Internet has created unprecedented opportunities for new offerings that can better enable consumers to enjoy movie downloads in more convenient ways. But at the same time, the Internet has also created opportunities for people to illegally distribute large quantities of content, preventing the rightful owners of that content from being compensated. The effort to prevent unauthorized use of content has led to the creation of download services that attempt to control what consumers can do with their purchases. Thus was born the concept of digital rights management (DRM), a technology that is intended to force consumers to only use purchased content in ways approved by the copyright owner.

In order to be at all effective, a DRM system must maintain control of content at all times. Consequently, consumers that download movies from legitimate sites are frequently not allowed to then burn those movies to recordable DVDs that will play on standard DVD players. Most DRM-based systems do not allow burning since recordable DVDs cannot currently be both encrypted and also playable in standard DVD players. Some companies have attempted to add copy protection to recordable DVDs. But all of these efforts only provide a temporary illusion of copy protection. That is because in order to be at all useful to the consumer, the recordable disc must be readable by a DVD player. Since most DVD players are not designed to work with DRM, any effort to make a recordable DVD not copyable is limited to inserting "errors" into the DVD structure or on the physical disc that will confuse a disc ripping program, but not a DVD player. Protection schemes that have attempted this approach are typically broken within hours.

Consumers are painfully aware of the use restrictions imposed by DRM; however, very few people are aware of the long-term implications. Most of the well-known services that allow consumers to download movies utilize Microsoft's DRM. It is not surprising, therefore, that these services invariably only support computers running Microsoft Windows. And while a few sites allow consumers to copy downloads to a limited number of Windows computers, some do not even allow that. What could you do then with all of your purchased content that is locked up in Windows DRM if you want to switch to a Mac or Linux? The dirty little secret not advertised by DRM-based movie download services is that your likely reward for buying DRM-encrypted movies is that someday you will either have to throw away all of the content you paid for along with an old PC, or you will have the privilege of needing to buy the same content all over again.

Faced with the prospect of losing content that you paid good money for, you may decide to try a hack in order to get your movies out of the DRM system that restricts them. Since just about every DRM technology is broken at one time or another, there is a good chance that you will find a utility that can circumvent the DRM system. What many people don't know is that in the United States, circumventing copy protection is illegal. That is due to the anti-circumvention clause in of the Digital Millennium Copyright Act (DMCA) of 1998. The DMCA makes breaking copy protection illegal, even for personal use. So, if you pay your hard-earned cash to download movies legally and then try to copy those movies from your old Windows PC to your new Mac, you may well have to commit a crime in order to do it.

The video industry has undergone two important transformations in the last few decades: the introduction of VHS and the transition to DVD. Both times, those who fought change profited least, and those who found new ways to deliver value to paying customers profited the most. The business models left standing after the Internet transition will surely be the services that find a way to make things better for paying customers. Consumers should try the new legal movie download services that are springing up nearly every day. People should know, however, that not all Web sites allowing consumers to download movies legally were designed with consumers' best interests at heart. So, before you take out your credit card to pay for a movie download, you should beware of the restrictions that the service provider may be trying to impose on you.

Jim Flynn is the CEO of EZTakes, Inc. (www.eztakes.com), a Web service that enables consumers to purchase and download movies that they can burn directly to DVD. EZTakes discourages piracy by personalizing DVDs with the identity of the purchasing consumer. By giving consumers the ability to easily to burn movie downloads that will play on virtually any DVD player, EZTakes has bridged the gap between the Internet and the living room.


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Sunday, December 2, 2007

Spiderman Villains - Carnage

Perhaps one of the most terrifying villains of all time, and surely one of the most terrifying of the Spiderman villains, Carnage is far from a normal run of the mill law breaker. Carnage was spawned when Cletus Kasady, a vicious serial killer bonded with an alien predator.

This bonding created one of the most vile and evil creatures that Spiderman has ever encountered. Rather than hoping for fame or fortune, Carnage wishes for a society where every being is allowed to do exactly as they please; no law, no rules and no consequences.

Because Carnage is half alien, or symbiote, he has some pretty special abilities including superhuman speed and strength, out of this world stamina and agility, and lighting fast reflexes. This makes him one of the toughest Spiderman villains ever.

One of the things that makes this guy even more terrible is that he has an immunity to Spiderman's spider sense. So, when the attacks from Carnage come, Spiderman is usually caught off guard.

Kasady comes from a violent background, probably more violent than all of the Spiderman villains, as Kasady claims his father brutally murdered his mother.

He has also told his doctors that he killed his own grandmother, and tortured his mother's dog, causing her to in turn want to murder him. With an upbringing like that, what do you expect? Kasady was convicted of more than 11 murders, but had murdered much more than that, all by his early twenties.

Carnage is a combination of insanity, sadistic with pure and deadly abilities. It is this kind of villain that Spiderman fans love to see and watch how Spiderman can deal with him.

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